Welcome back to your television serial making guidelines. If you need a recap we'd already seen the fixed forms of necessities like storyline, characters or sets. Now let's proceed to moving ones.
The Story and Dialogue Writers: Having only one writer is really a risky proposition. You must ideally have a table of writers, if one doesn't blow out of his/her mind others deliver. The constant storyline needs a similarly endless method of getting dialogues to keep on the show episode by episode. In a particular scene you will need to create the maximum possible dialogues and for this the board of writers would come as a bonus. When they quarrel over it, that's only natural, maybe you obtain a brand new twist-wish idea to put in new angles-triangles or you will want to a hyperbola in the story that may again generate new streams of dialogues. You will need to keep a wrist watch on viewers too; boring them now and then is okay, but you have to never drive them mad. The channel producers, remember?
The Director: Because you will be the director you ought to be the toughest nut to break. Okay it is your baby and naturally you prefer to be the leader and friend-philosopher-guide. In actual practice you have to be considered a ruthless dictator taking decisions unilaterally and respecting no-one but the channel producers. If your particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may have to be brought alive; many others may have to be replaced; ushering in an occasion transition or injecting one and more absurd characters in to the serial; and, so on. All these situations demand your decisions only. Kundali Bhagya Today Episode We advise you to help keep one or two episode directors too as may be the case in many soaps. We've good reasons. First, one director is directly identifiable and is really a sitting duck for irate viewers, if any. Second, the endless monotony might be an excessive amount of for you and you could lose your sanity. Third, are you aware that channel producers the buck will always stop exclusively at your end only.
The Time Pass: This time pass is from the viewpoint of serial makers, not viewers. Making an endless serial is generally not very easy. So you have to go on creating rooms for frequent time pass tactics. You do it with merry go rounds of dramatic reaction shots parading all your characters in the hall that may get you over one or more episodes; with dialogues that never cease; by giving extreme shock treatment to one or more characters who lose their power to speak and communicate only through loud music that may last around one or more episodes; by bringing in absurd characters and making their stories count; and, by the like.
Conclusion (?): Since every one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Evildoers in serials go on doing evil that may include even murder as police authorities are never called in, because entry of police may veer the serial to a logical end. You merely compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the important thing to the success of constant serials. At the receiving end we can only try get accustomed to it.
So, make your serial in India and have constant fun!
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